You will have to choose a photo that allows for the rights that you will need for using the photo on your album cover and associated promotional uses. Using a photo that you like from the internet without getting permission to use it is copyright infringement, even if you credit the source. If there's a work that you like on the internet that is not from a stock photo website or that you find offline, you will need to find out the identity of the owner of the work and contact that person to get a license for permission to use that work on your album cover.
Transfer of copyright ownership is probably a long shot in this scenario, but some creators might be willing to transfer ownership for the right price. Again, consult with a good music attorney to make sure you are getting the rights you need for your specific situation.
Please send topic requests to askamusiclawyer gmail. Please note that specific case advice cannot be given, and if you have questions pertaining to an issue you are personally experiencing, you should seek a consultation with a music attorney. Disclaimer: This article is for educational and informational purposes only and not for the purpose of providing legal advice. The content contained in this article is not legal advice or a legal opinion on any specific matter or matters.
This article does not constitute or create an attorney-client relationship between Erin M. Jacobson, Esq. The law may vary based on the facts or particular circumstances or the law in your state. There was no turning back.
Nat King Cole showed that cover design was going to be a massive cultural influence; it was one of the few mediums which reached millions of people in the golden age of radio and before television had become king. Moreover, the music sales industry had a global impact, because it provided designers with a way to express their creativity and originality to the whole world.
A host of renowned artists, including Andy Warhol, Roger Dean and Burt Goldblatt, kick-started amazing careers by designing album covers. Capitol Records have a proud history of album art, utilizing talented individuals such as painter Thomas B Allen and costume designer Donfeld Donald Lee Feld , whose first job, after graduating from college, was as a designer and art director at the company. Jazz-era designs Many of the greatest covers of all time are associated with the post-war jazz and bebop era.
His celebrated portrayals included Louis Armstrong and Shorty Rogers. As a jazz fan, Flora adored working closely with the musicians.
Records were little cultural artifacts. Many of the best-known Impulse! One of the most renowned photographers was Charles Stewart, responsible for cover shots on more than 2, albums, including his wonderful portraits of Armstrong, Count Basie , John Coltrane , and Miles Davis. He was introduced to the record industry by his college friend Herman Leonard and never looked back. This post-Second World War era was when the edgy modernism of bebop began to guide the innovative output of Blue Note.
The practice of using powerful photographs of the musicians has survived, and can be seen in the simple yet arresting photograph of Norah Jones on the album Come Away with Me. The pair were so famous by then that they did not even have their names on the album cover, just the gorgeous image taken by Vogue photographer Phil Stern, known for his iconic studies of Marlon Brando, James Dean, and Marilyn Monroe.
The image-cementing photograph of rock stars would later play a major part in some of the great 60s and 70s album covers. David Stone Martin sometimes drew his covers with a crow quill pen, something he did for the iconic Verve album Charlie Parker With Strings.
Martin, whose work has been on show at the Smithsonian and the Museum Of Modern Art, did so many great album portraits for the Jazz At The Philharmonic albums in his distinctive solid black-ink lines including likenesses of Charlie Parker, Ella Fitzgerald , and Count Basie. He developed a serious and sensual image of jazz. But the first album to carry the sole name Reid K Miles was far from modern — a Sidney Bechet release a few months later.
Miles, who would later create covers for Bob Dylan and Neil Diamond , went on to make celebrated television commercials. For example, digital music platforms such as iTunes offer users second snippets of songs. With so many options available, the attention span of consumers gets increasingly shorter, which makes a 2D or manual approach a less preferred option.
However, Aldo argued that album covers are still one of the most important visual companions to music. Although album covers weren't as impactful as they once were and although the motive behind them are subjected to more vulnerability, their overall purpose of being a visual representation of an album remains.
They may not be the first thing that comes to mind when advertising music, but there is a nostalgic and sentimental quality to them that makes album covers irreplaceable and forever relevant. Back English Indonesian. The power of album visuals Read in Indonesian. It begs the question: does music still need album covers? View this post on Instagram. Related articles.
Sep 15, Business , Design. Aug 24, Art , Design , Music , Business. The power of album visuals. Jul 30, Search the album cover for copyright information pertaining to the album art.
This information is generally located on the back of the album, or inside a CD insert that can be removed and opened. Though phone numbers aren't normally present, mailing addresses are sometimes provided. If neither are available, write down the name of the business that holds the copyright. This is the full name following the copyright symbol on the album cover or jacket. Search the Internet for information about the copyright holder's business. If a phone number is provided on any website listed for the business, write it down along with the current mailing address.
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